Alcopop! Records have constantly delightedin an extra-curricular obstacle. From hijacking UKIP’s site to launching records on frisbees, podcasts on vinyl and other hi-jinks, it might not constantly be profitable however, hi, why appearance at the bottom line when you might be looking at the stars?
So it’s maybe no excellent surprise that we’re now inviting the veryfirst film from Studio Alcopop, although the subject is maybe unlikely. Directed by Jon Spira and told by Ray Winstone, Hollywood Bulldogs is the story of Britain’s finest stuntpeople, who’ve enhanced the biggest motionpictures however are strangelyenough unrecognized when it comes to BAFTA awards and the like: the movie’s release has currently generated a coupleof headings, in that regard.
Alcopop’s own risk-taker, Jack Clothier, informed us how it all occurred.
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– – –
What’s the origin story of Studio Alcopop?
If I was a wanky marketing executive I’d be talking about ‘expanding the Alcopop universe,’ however it’s actually, how do we relocation along with things? We’re technically a record label so we oughtto release music, however you start on one thing and then you desire to go and kind of checkout. We work with such a assortment of artists…
Making videos, record covers, merch – I expect labels do work with lots of various creatives, not simply artists.
Exactly that, and the charm of indie music is you follow your heart a little bit, duetothefactthat fuck it, we can. There’s noone above us stating, ‘look at the bottom line, that’s not a reasonable relocation.’
I was thinking about movie for rather a while. And serendipitously, I have a buddy called Jon [Spira], we understood each other from the old Oxford video shop Videosyncratic. He was constantly extremely motivating, and he essentially came to us with this movie, Hollywood Bulldogs.
He launched a movie priorto called Elstree 1976 which did exceptionally well – and got a lot of shit from Star Wars fans.
Easily done!
He got an advance to make another movie about that kind of things, they went off, did a lot of the pre-work, and generally the day the movie was expected to start shooting the business went insolvent.
So basically, Jon came to us: ‘We’re looking for a UK supplier and I idea of you men, duetothefactthat of the method you put out records.’ And I believed, ‘this fits precisely with the method we’re taking things forward.’ And there started our journey into Studio Alcopop.
– – –

– – –
You’re a label with a quite faithful fanbase currently, which I picture is a good head start for a brand-new movie business?
It’s a sort of inclusive, favorable neighborhood, and it’s been a truly good response – ‘Great! Interesting to see what you’re putting your name to.’
I think movie and music, they cross over anyhow. Clean Cut Kid are a terrific example, their videos are works of art in their own . They’re making a movie for the recording of their next record, which hasactually been rather psychological over a long duration of time: this offers us scope to put it out appropriately, do screenings.
So allofasudden, it opens things up for us. When artists develop something that’s a bit more than simply a pop video, we kind of didnothave a location to put it.
How much Alcopop music is in Hollywood Bulldogs then?
It’s not Alcopop music per se, however bizarrely the person who did the soundtrack was one of the veryfirst artists we ever launched, Jamie Hyatt. Family Machine we launched him as, however priorto that he was in Medal, who in Oxford were sort of competitors for the Radiohead throne.
It’s truly, truly beautiful, and works very well with the movie, and it’s a extremely good connection. But the movie came to us completed, it’s not like we were included in the making procedure. It’s like an album, the bands will bring it and go ‘right, where do we go from here?’
So you weren’t going ‘I’ve got this brand-new Subways single that’d be fantastic for the end credits…’
There’s a possibly terrific synergy, yeah! But this was a veryfirst action for us, a huge procedure, knowing the movie market, selecting up our brand-new supplier. The things you have to offer with, with a movie, these monstrously big files – you neverever get sentout a 200-gigabyte record. – And the BluRay, it’s simply something I’ve neverever even thoughtabout.
– – –

– – –
With smallersized movies, documentaries, it was constantly about the celebration circuit, getting discovered – or is it progressively online now?
With movie, it’s a bit more of a procedure to get it up. When you send the movie, it has to be quality guarantee inspected, the business choose whether they desire to take it on or not. So you pitch it to Sky, to Virgin, then you have to get artwork done for every platform, 700 various artwork files. Then of course you’ve got the problem of infact simply screening the thing – you can’t simply stick it up on SoundCloud.
It’s an fascinating time to begin, as the movietheater landscape has altered a lot over the last 2 years.
There’s a lot of pressure, especially on independent movietheaters, to make sure they’re getting individuals through the doors; less chance to take threats, I guess. We were initially believing of launching this when the Bond film came out, however there was no delight anywhere: ‘We’ve simply got Bond on!’
So it’s been interesting to dive into that, the machinations of it. It hasactually been challenging, however enjoyable. As quickly as Jon informed me Ray Winstone was included, we were kind of thrilled.
How did they get him on board?
He simply liked the concept of the movie. I believe it’s something that’s rather crucial to him, the absence of representation for some individuals in the BAFTAs. And that’s been at the heart of why the movie requires to be made actually, to display how extraordinary these individuals are. The truth that they’re putting their body on the line to develop these movies.
Actors are constantly stating that they do loads of their own stunts – possibly they’d rather we forgot that stunt-people exist.
I marvel if it’s something to do with that. I believe various stars have various relationships with their stuntpeople. Some of them are rather celebratory of them, others not so.
– – –

– – –
Back to music, had you certified much Alcopop things to movie priorto?
We’ve done bits and bobs. we’ve had TELEVISION, movies, which is constantly charming, Netflix series. We had a terrific Australian dogfood industrial, they kept playing it over and over onceagain, 7 seconds of My First Tooth for about 6 years. None of us ever even saw the advert, this canine bouncing throughout the beach.
This possibility of synergy inbetween movie and music, we’re just getting begun. This is our veryfirst release, and we have an benefit over a lot of others in that we have a brochure of music with appreciated artists, waiting to be utilized. I do question if there’s a genuine fascinating possible of us getting included earlier with the soundtrack. I’m actually eager to see how we can sync these worlds together.
Give it a coupleof years, you’ll be one of these men with the huge chair, huge stogie, on 6 various phones.
All I desired to do was call my mum and inform her I’m going to Hollywood, you understand what I suggest?
– – –
– – –
Hollywood Bulldogs is out now, click here for more info.
Words: Si Hawkins // @SiHawkins
– – –
.
Alcopop! Records have constantly delightedin an extra-curricular obstacle. From hijacking UKIP’s site to launching records on frisbees, podcasts on vinyl and other hi-jinks, it might not constantly be profitable however, hi, why appearance at the bottom line when you might be looking at the stars?
So it’s maybe no excellent surprise that we’re now inviting the veryfirst film from Studio Alcopop, although the subject is maybe unlikely. Directed by Jon Spira and told by Ray Winstone, Hollywood Bulldogs is the story of Britain’s finest stuntpeople, who’ve enhanced the biggest motionpictures however are strangelyenough unrecognized when it comes to BAFTA awards and the like: the movie’s release has currently generated a coupleof headings, in that regard.
Alcopop’s own risk-taker, Jack Clothier, informed us how it all occurred.
– – –
– – –
What’s the origin story of Studio Alcopop?
If I was a wanky marketing executive I’d be talking about ‘expanding the Alcopop universe,’ however it’s actually, how do we relocation along with things? We’re technically a record label so we oughtto release music, however you start on one thing and then you desire to go and kind of checkout. We work with such a assortment of artists…
Making videos, record covers, merch – I expect labels do work with lots of various creatives, not simply artists.
Exactly that, and the charm of indie music is you follow your heart a little bit, duetothefactthat fuck it, we can. There’s noone above us stating, ‘look at the bottom line, that’s not a reasonable relocation.’
I was thinking about movie for rather a while. And serendipitously, I have a buddy called Jon [Spira], we understood each other from the old Oxford video shop Videosyncratic. He was constantly extremely motivating, and he essentially came to us with this movie, Hollywood Bulldogs.
He launched a movie priorto called Elstree 1976 which did exceptionally well – and got a lot of shit from Star Wars fans.
Easily done!
He got an advance to make another movie about that kind of things, they went off, did a lot of the pre-work, and generally the day the movie was expected to start shooting the business went insolvent.
So basically, Jon came to us: ‘We’re looking for a UK supplier and I idea of you men, duetothefactthat of the method you put out records.’ And I believed, ‘this fits precisely with the method we’re taking things forward.’ And there started our journey into Studio Alcopop.
– – –

– – –
You’re a label with a quite faithful fanbase currently, which I picture is a good head start for a brand-new movie business?
It’s a sort of inclusive, favorable neighborhood, and it’s been a truly good response – ‘Great! Interesting to see what you’re putting your name to.’
I think movie and music, they cross over anyhow. Clean Cut Kid are a terrific example, their videos are works of art in their own . They’re making a movie for the recording of their next record, which hasactually been rather psychological over a long duration of time: this offers us scope to put it out appropriately, do screenings.
So allofasudden, it opens things up for us. When artists develop something that’s a bit more than simply a pop video, we kind of didnothave a location to put it.
How much Alcopop music is in Hollywood Bulldogs then?
It’s not Alcopop music per se, however bizarrely the person who did the soundtrack was one of the veryfirst artists we ever launched, Jamie Hyatt. Family Machine we launched him as, however priorto that he was in Medal, who in Oxford were sort of competitors for the Radiohead throne.
It’s truly, truly beautiful, and works very well with the movie, and it’s a extremely good connection. But the movie came to us completed, it’s not like we were included in the making procedure. It’s like an album, the bands will bring it and go ‘right, where do we go from here?’
So you weren’t going ‘I’ve got this brand-new Subways single that’d be fantastic for the end credits…’
There’s a possibly terrific synergy, yeah! But this was a veryfirst action for us, a huge procedure, knowing the movie market, selecting up our brand-new supplier. The things you have to offer with, with a movie, these monstrously big files – you neverever get sentout a 200-gigabyte record. – And the BluRay, it’s simply something I’ve neverever even thoughtabout.
– – –

– – –
With smallersized movies, documentaries, it was constantly about the celebration circuit, getting discovered – or is it progressively online now?
With movie, it’s a bit more of a procedure to get it up. When you send the movie, it has to be quality guarantee inspected, the business choose whether they desire to take it on or not. So you pitch it to Sky, to Virgin, then you have to get artwork done for every platform, 700 various artwork files. Then of course you’ve got the problem of infact simply screening the thing – you can’t simply stick it up on SoundCloud.
It’s an fascinating time to begin, as the movietheater landscape has altered a lot over the last 2 years.
There’s a lot of pressure, especially on independent movietheaters, to make sure they’re getting individuals through the doors; less chance to take threats, I guess. We were initially believing of launching this when the Bond film came out, however there was no delight anywhere: ‘We’ve simply got Bond on!’
So it’s been interesting to dive into that, the machinations of it. It hasactually been challenging, however enjoyable. As quickly as Jon informed me Ray Winstone was included, we were kind of thrilled.
How did they get him on board?
He simply liked the concept of the movie. I believe it’s something that’s rather crucial to him, the absence of representation for some individuals in the BAFTAs. And that’s been at the heart of why the movie requires to be made actually, to display how extraordinary these individuals are. The truth that they’re putting their body on the line to develop these movies.
Actors are constantly stating that they do loads of their own stunts – possibly they’d rather we forgot that stunt-people exist.
I marvel if it’s something to do with that. I believe various stars have various relationships with their stuntpeople. Some of them are rather celebratory of them, others not so.
– – –

– – –
Back to music, had you certified much Alcopop things to movie priorto?
We’ve done bits and bobs. we’ve had TELEVISION, movies, which is constantly charming, Netflix series. We had a terrific Australian dogfood industrial, they kept playing it over and over onceagain, 7 seconds of My First Tooth for about 6 years. None of us ever even saw the advert, this canine bouncing throughout the beach.
This possibility of synergy inbetween movie and music, we’re just getting begun. This is our veryfirst release, and we have an benefit over a lot of others in that we have a brochure of music with appreciated artists, waiting to be utilized. I do question if there’s a genuine fascinating possible of us getting included earlier with the soundtrack. I’m actually eager to see how we can sync these worlds together.
Give it a coupleof years, you’ll be one of these men with the huge chair, huge stogie, on 6 various phones.
All I desired to do was call my mum and inform her I’m going to Hollywood, you understand what I suggest?
– – –
– – –
Hollywood Bulldogs is out now, click here for more info.
Words: Si Hawkins // @SiHawkins
– – –
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